Categories Anna Karenina As You Like It Damian Lewis Feed NHS Five Gold Rings Harry Potter and the Deathly Hallows Harry Potter and the Half-Blood Prince Lucky Jim Medea MotherFatherSon Peaky Blinders Print Media The Deep Blue Sea The Late Middle Classes The Queen The Special Relationship Theatre Trelawny of the Wells Tributes Uncle Vanya

Helen McCrory, versatile actress who dominated the stage and shone on screen in Peaky Blinders and The Queen – obituary

The Telegraph’s Charles Spencer put her in his ‘pantheon of actors whose name in the programme always creates the anticipation of pleasure’

Helen McCrory, who has died of cancer aged 52, made her name as a subtle and intelligent stage performer, and later bucked the trend that consigns actresses to oblivion in middle age, becoming one of Britain’s most sought-after television stars in her 40s.

In the first decade of the new millennium she was hailed as one of the most promising presences in British theatre. Writing in the Telegraph in 2002, Jasper Rees placed her in the tradition of Judi Dench, Zoë Wanamaker and Imelda Staunton as “the small, punchy actress with a voice that can coat a back wall in honey from 100 paces.”

Continue reading Helen McCrory, versatile actress who dominated the stage and shone on screen in Peaky Blinders and The Queen – obituary

Categories Reviews Trelawny of the Wells

Trelawny of the Wells at the National Theatre – Review

By Sheridan Morley | February 24, 1993 | International Herald Tribune

“Trelawny of the ‘Wells’ ” is one of those scripts that everyone hates except the public, and the actors who get to play it. After a 30-year absence from London, Pinero’s epitaph for the old actor-laddies has turned up twice, just before Christmas in a patchy all-star West End revival sadly lacking much direction, and now in a vastly better John Caird production for the open Olivier stage of the National.

The mystery, though, is why he didn’t go for the musical; Caird at his best (“Les Misérables”)and his worst (“Children of Eden”) is a director who, like his old partner Trevor Nunn, knows a very great deal about how to give classical dignity to song-and-dance shows.

Continue reading Trelawny of the Wells at the National Theatre – Review