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Rufus Norris: ‘In 15 years, I would have loved to have directed Helen McCrory as Prospero’

On April 18, 2021April 20, 2021 By helenistic No Comments

The Artistic Director of the National – Where McCrory Performed Her Last Major Plays – Recalls the Actor’s Sense of Wickedness and Mischief

by Rufus Norris | The Telegraph | April 18, 2021

Helen McCrory in Medea at the National

Few actors can stand by themselves on the Olivier or the Lyttelton stage and leave an audience thinking: if you are the only thing going on, then I’m happy. Helen McCrory was one of those actors. She appeared eight times at the National Theatre, most recently in Euripides’s Medea and in Terence Rattigan’s The Deep Blue Sea, and she had a rare ability to inhabit and communicate what a character was feeling right to the back of the stalls. People talk about actors having natural magnetism but Helen was simply really, really good at what she did. Her death at the age of 52 has left the industry in utter shock.

Helen adored working at the National. We would often meet for a coffee and discuss parts she might play and, like everyone, I was extremely keen to get her and Damian in a production together. She had tremendous range, just at home with new work such as The Last of the Haussmans – Stephen Beresford’s look at the after effects of the Sixties’ in which Helen played the exasperated daughter of a hippie – as with the classics.

Continue reading Rufus Norris: ‘In 15 years, I would have loved to have directed Helen McCrory as Prospero’

Tributes

Helen McCrory: An extraordinarily eloquent actor who understood the power of silence like few others

On April 17, 2021April 28, 2021 By helenistic No Comments

McCrory brought the same electrifying presence to mainstream TV roles and acclaimed stage work,

by Claire Allfree | April 17, 2021 | The Independent

Helen McCrory had an extraordinarily eloquent face, but her most expressive features, by some distance, were her eyebrows. She had an uncanny ability to raise them just so, in ways that could suddenly chill the air. In one of her final acting appearances, she used them in the concluding episode of ITV’s Quiz, playing a QC defending the coughing Major Ingram and his wife. Her gimlet-eyed performance was so icily forensic that she briefly became a Twitter sensation.

Continue reading Helen McCrory: An extraordinarily eloquent actor who understood the power of silence like few others

Medea Print Media The Deep Blue Sea Tributes Uncle Vanya

How Helen McCrory Shone, Even in a Haze of Mystery

On April 17, 2021April 19, 2021 By helenistic No Comments

She Was Unforgettable Onstage Playing Seemingly Serene Women Who Rippled With Restlessness

by Ben Brantley | The New York Times | April 17, 2021

Helen McCrory in the National Theater revival of Terence Rattigan’s “The Deep Blue Sea.” Credit: Richard Hubert Smith

Selfishly, my first feelings on hearing that the uncanny British actress Helen McCrory had died at 52 were of personal betrayal. We were supposed to have shared a long and fruitful future together, she and I. There’d be me on one side of the footlights and her on the other, as she unpacked the secrets of the human heart with a grace and ruthlessness shared by only a few theater performers in each generation.

I never met her, but I knew her — or rather I knew the women she embodied with an intimacy that sometimes seemed like a cruel violation of privacy. When London’s theaters reawakened from their pandemic lockdown, she was supposed to be waiting for me with yet another complete embodiment of a self-surprising life.

Ms. McCrory had become world famous for dark and exotic roles onscreen, as the fiercely patrician witch Narcissa Malfoy in the Harry Potter movies and the terrifying criminal matriarch Polly Gray in the BBC series “Peaky Blinders.” But for me, she was, above all, a bright creature of the stage and in herself a reason to make a theater trip to London.

Continue reading How Helen McCrory Shone, Even in a Haze of Mystery

Print Media Tributes

Helen McCrory: engaging, enthralling, always magnetically watchable

On April 16, 2021April 26, 2021 By helenistic No Comments

The exquisitely talented actor shone at playing complex, intelligent women with a seemingly effortless skill

by Mark Lawson | April 16, 2021 | The Guardian

Extreme … Helen McCrory in the National Theatre’s 2014 production of Medea. Photograph: Tristram Kenton/The Guardian

It seems fitting that one of Helen McCrory’s final screen performances in a career devastatingly truncated by her death at 52 was as a barrister. In last year’s ITV drama Quiz, she played Sonia Woodley QC, hired to defend Major Charles Ingram and his wife Diana, accused of conspiring to steal the titular prize in Who Wants to Be a Millionaire? through a code based on studio coughing.

With a majority of viewers likely to be convinced of the Ingrams’ guilt (from media coverage of the case in 2003), McCrory as Woodley in episode three presented an alternative interpretation so engagingly and persuasively that the previous two episodes seemed to be cast into doubt.

Medea Old Times Peaky Blinders Print Media The Deep Blue Sea Tributes Uncle Vanya

Helen McCrory would have been the next Helen Mirren or Judi Dench

On April 16, 2021May 14, 2021 By helenistic No Comments

The actress leaves an extraordinary body of work, but there is no doubt that she had so much more to give

The wonder for me about Helen McCrory – whose passing, at 52, is so cruel, so sad, such a profound and premature loss to the acting profession – is how relatively long it took for people to cotton on to her magnificence.

I was lucky enough to visit the Tricycle, north London one winter evening in 1995 and see her star as Lady M in Macbeth. In fact, of course, she wasn’t then the “draw” – here was, surprisingly enough, a Shakespeare production at a major off-West End venue renowned for its contemporary political work. It was an oddity from artistic director Nicolas Kent. Yet within the space of a couple of hours, I emerged with her name on my lips, and the surest conviction that I had set eyes on one of the greats.

Here was an actress who was so intense, so spellbinding, so caught up in every moment of every scene she was in that it was as though she carried a lifetime’s acting experience within her: but she was just in her mid-20s. Her flintiness illuminated every line it sparked off. Rapt, I ended my review of that dark, sinister torch-lit night, referencing the sleepwalking scene, saying that “it is the sight of McCrory alone, scurrying restlessly round in the dark and hugging a single flame, that burns a lasting image of unstoppable evil onto your retina.”