Categories Print Media Theatre Tributes

Helen McCrory: In Admiring, Awestruck Memory

We Remember a Great Actress Taken Way Too Soon

This one hurt. No death of course is easy to absorb, especially one as premature and shocking as that of Helen McCrory, whose surrender to cancer late last week, age 52, came like the most brutal and sudden of thunderclaps. The announcement was made via Twitter on Friday by her husband, Damian Lewis, and I doubt I’m the only one who reacted with moist-eyed disbelief, and not only because the couple were familiar, and welcome, faces in our north London neighbourhood.

It seemed only yesterday that I had seen her in the ITV adaptation of the James Graham play Quiz, lending a peppery authority to the role of the Ingrams’ defence barrister, Sonia Woodley. Or as the prime minister, thank you very much, opposite Hugh Laurie in Roadkill: a nice promotion for an actress who had previously played a PM’s wife, Cherie Blair, in the film The Queen.

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Categories As You Like It Medea Print Media The Deep Blue Sea Tributes

Rufus Norris: ‘In 15 years, I would have loved to have directed Helen McCrory as Prospero’

The Artistic Director of the National – Where McCrory Performed Her Last Major Plays – Recalls the Actor’s Sense of Wickedness and Mischief

Helen McCrory in Medea at the National

Few actors can stand by themselves on the Olivier or the Lyttelton stage and leave an audience thinking: if you are the only thing going on, then I’m happy. Helen McCrory was one of those actors. She appeared eight times at the National Theatre, most recently in Euripides’s Medea and in Terence Rattigan’s The Deep Blue Sea, and she had a rare ability to inhabit and communicate what a character was feeling right to the back of the stalls. People talk about actors having natural magnetism but Helen was simply really, really good at what she did. Her death at the age of 52 has left the industry in utter shock.

Helen adored working at the National. We would often meet for a coffee and discuss parts she might play and, like everyone, I was extremely keen to get her and Damian in a production together. She had tremendous range, just at home with new work such as The Last of the Haussmans – Stephen Beresford’s look at the after effects of the Sixties’ in which Helen played the exasperated daughter of a hippie – as with the classics.

Continue reading Rufus Norris: ‘In 15 years, I would have loved to have directed Helen McCrory as Prospero’

Categories Medea Print Media The Deep Blue Sea Tributes Uncle Vanya

How Helen McCrory Shone, Even in a Haze of Mystery

She Was Unforgettable Onstage Playing Seemingly Serene Women Who Rippled With Restlessness

by Ben Brantley | The New York Times | April 17, 2021

Helen McCrory in the National Theater revival of Terence Rattigan’s “The Deep Blue Sea.” Credit: Richard Hubert Smith

Selfishly, my first feelings on hearing that the uncanny British actress Helen McCrory had died at 52 were of personal betrayal. We were supposed to have shared a long and fruitful future together, she and I. There’d be me on one side of the footlights and her on the other, as she unpacked the secrets of the human heart with a grace and ruthlessness shared by only a few theater performers in each generation.

I never met her, but I knew her — or rather I knew the women she embodied with an intimacy that sometimes seemed like a cruel violation of privacy. When London’s theaters reawakened from their pandemic lockdown, she was supposed to be waiting for me with yet another complete embodiment of a self-surprising life.

Ms. McCrory had become world famous for dark and exotic roles onscreen, as the fiercely patrician witch Narcissa Malfoy in the Harry Potter movies and the terrifying criminal matriarch Polly Gray in the BBC series “Peaky Blinders.” But for me, she was, above all, a bright creature of the stage and in herself a reason to make a theater trip to London.

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Categories Print Media Tributes

Helen McCrory: engaging, enthralling, always magnetically watchable

The exquisitely talented actor shone at playing complex, intelligent women with a seemingly effortless skill

by Mark Lawson | April 16, 2021 | The Guardian


Extreme … Helen McCrory in the National Theatre’s 2014 production of Medea.
Photograph: Tristram Kenton/The Guardian
It seems fitting that one of Helen McCrory’s final screen performances in a career devastatingly truncated by her death at 52 was as a barrister. In last year’s ITV drama Quiz, she played Sonia Woodley QC, hired to defend Major Charles Ingram and his wife Diana, accused of conspiring to steal the titular prize in Who Wants to Be a Millionaire? through a code based on studio coughing.

With a majority of viewers likely to be convinced of the Ingrams’ guilt (from media coverage of the case in 2003), McCrory as Woodley in episode three presented an alternative interpretation so engagingly and persuasively that the previous two episodes seemed to be cast into doubt.

Continue reading Helen McCrory: engaging, enthralling, always magnetically watchable

Categories Awards Medea Print Media

Mark Strong and Helen McCrory scoop Critics’ Circle Theatre awards