Categories Flashbacks of a Fool Harry Potter and the Half-Blood Prince Interviews

Helen McCrory: The Dame Game

She’s a West End star who’s about to join her husband in Hollywood. No wonder critics call Helen McCrory the next Judi Dench, says Hannah Duguid

Despite being one of Britain’s foremost actresses, Helen McCrory is rarely recognised in public. Recently, a taxi driver refused to believe who she was. “You’re not Helen McCrory,” he said. She was unable to convince him of the truth. I can see how he made the mistake. In the flesh, despite having given birth only a few weeks before, she is slight, pretty and, although a formidable presence, does not remotely resemble Cherie Blair, whom she portrayed so convincingly in Stephen Frears’s film The Queen. “I’ve often sat down with people talking about a film I’ve been in and they haven’t realised I was in it. I think they’re just being weird by not saying anything until I realise what has happened,” she says. Not that she is phased by any of this: “What really matters to me is what my peers think.”

Her marriage to the actor Damian Lewis the couple have two children has occasionally propelled her on to the pages of magazines. But McCrory and Lewis seem as well grounded as it is possible to be when you’re one half of a famous couple who divide their time between north London and Los Angeles. There are flourishes of luvviness “darlings” and enthusiastic swearing with a cut-glass accent yet they are clearly devoted to each other. He accompanies her to our meeting at a Soho restaurant and settles her and their tiny baby son into a corner table before politely disappearing.

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Categories Damian Lewis Interviews Personal and Family Life Print Media The Queen

Great Expectations: An Interview with Helen McCrory – August 25, 2006

Drama Queen

by Lydia Slater | Evening Standard Magazine | August 25, 2006

Perched on a velvet sofa in the elegant sitting room of the Cheyne Walk Brasserie, Helen McCrory strokes her Stella McCartney-clad stomach and smiles under heavy eyelids, rather like the cat who’s got the cream. As well she might. Life has never seemed to be particularly tough for McCrory, 37, who has been winning plaudits for her acting ever since she took her first role in the National Theatre’s production of Trelawney of the Wells, and who is constantly tipped as the next Judi Dench.

But even by her own high standards, the future is looking pretty rosy. She is eight months pregnant with her first child, and has an unnervingly perfect celebrity bump – no fat ankles or swollen face, just a watermelon at the waistline and a correspondingly magnificent bronzed cleavage. “I’ve never worn so many low-cut dresses in my life. If I could just wear spangles, I would. I feel so amazingly attractive,” she gurgles throatily, with total justice if our young waiter’s saucer eyes are anything to go by.

McCrory doesn’t appear to notice him but then if you’re engaged to Damian Lewis, star of The Forsyte Saga and Band of Brothers (and arguably the sexiest redhead on the planet), waiters probably come rather low in the pecking order. “I’ve never been broody before, but when I met Damian I became very different about relationships,” she says.

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Categories Damian Lewis Five Gold Rings Print Media Reviews

Five Gold Rings at the Almeida – Review

Joanna Laurens’ “Five Gold Rings” has loftier things in mind than the mere settling of domestic scores

by Matt Wolf | January 4, 2004 | Variety

Not every dysfunctional family drama contains lines like, “It is art to fly speech in the air,” but Joanna Laurens’ Almeida Theater entry “Five Gold Rings” has loftier things in mind than the mere settling of domestic scores. In her sophomore play following her much-praised debut effort “The Three Birds” (which I missed), Laurens wants to reinvent the discourse in such plays, trading in a time-worn naturalism for a heightened language that less charitably inclined playgoers likely will find wearing.

That the evening possesses the considerable fascination it does honors both director Michael Attenborough, in his second consecutive play at this address as Almeida a.d. (following Neil LaBute’s “The Mercy Seat”), and a blue-chip cast of British theater veterans (David Calder) and ascending younger talents (Damian Lewis, Helen McCrory), all of whom are in top form. Sure, “Five Gold Rings” may sound at times as if it has been translated from Latin, but it’s unlikely to encounter more gifted interpreters.

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Categories Damian Lewis Five Gold Rings Print Media Reviews

Five Gold Rings at the Almeida – Review

Five Gold Rings

by Michael Billington | December 19, 2003 | The Guardian

I feel sorry for Joanna Laurens. Having been praised for the poetic inventiveness of her first play, The Three Birds, I suspect she will take a lot of flak for writing a non-naturalistic family drama. Yet, since we sanction all kinds of wild physical theatre, it seems only right that we should find room for linguistic experiment.

Laurens’s play sounds like a conventionally unhappy family reunion. Henry, a penniless patriarch living in a mysterious desert, is attended at Christmas by his two sons and their wives. But both marriages are in trouble; and when the supposedly impotent Daniel is attracted to his childless sister-in-law, Miranda, the skeletons come tumbling out of the family cupboard. Daniel’s plan to flee with Miranda is unwittingly financed by his brother, Simon, which leads to revelations of revenge, rape and incest.

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