by You Tube Movies | January 1, 2015
Plot: 40 years after the first haunting at Eel Marsh House, a group of children evacuated from WWII London arrives, awakening the house’s darkest inhabitant.
Free with ads on You Tube / CC
I first met Helen McCrory in a modest caravan, next to a haunted house, in the freezing Buckinghamshire countryside during the winter of 2013. The 46-year-old Peaky Blinders star, award-winning stage actress and wife of Damian “Homeland” Lewis OBE, was huddled next to a fan-heater in between set-ups on her new movie, the horror sequel The Woman in Black: Angel of Death. She was wearing a grim, lime green two-piece and a cruelly over-curled “do” (in the movie she plays a priggish 1940s school marm), but was otherwise on giddy, quip-friendly form.
“Herbie Goes to Monte Carlo was the first film I ever saw, and it still influences me today,” she said at one point, deadpan. “And you’ll see it in some of my roles, especially when I indicate before leaving a scene.”
She cheekily dismissed her part in The Woman in Black as that of a “background” player. She claimed that online fans who blog about her “hotness” were merely “a niche market of internet perverts”. But mostly she described, and clarified, her radical new career plan.
“I’ve decided, this year, that I’m simply going to do stuff that I haven’t done before — I’m doing this horror film, then some mad comedy, then Medea at the National Theatre, then a gothic TV series, plus I’ll do a second series of Peaky Blinders. Well, that’s the plan.”
Continue reading Helen McCrory on the next Woman in Black and life with Damian Lewis
by Victoria Young | Woman & Home | Autumn, 2014
Helen McCrory talks to Victoria Young about feminism, marriage to a sex symbol – and being a gypsy at heart.
Actress Helen McCrory, 46, has played everyone from Medea to Cherie Blair as well as Polly Gray in Peaky Blinders. She’s married to actor Damian Lewis. They live in London and have two children, Manon, eight, and Gulliver, seven.
I grew up in Africa because my father was a diplomat. So I was lucky enough to grow up in a world without advertising. As a result, I’ve never judged myself on what I was supposed to look like. It’s good and bad. When it came to filming the second series of Peaky Blinders, I decided “I want Polly to look rougher, she should look haggard, life beaten, absolutely exhausted.” I then saw the first episode and remembered the adage, “Be careful what you wish for.”