What on earth would Tolstoy have thought? Channel 4 have upped the raunch factor in Anna Karenina, his heavyweight morality tale. But it’s a good move, reckons Mark Lawson
Tolstoy can’t have known, when writing a novel back in the 1870s, that trains rushing into tunnels would become a cinematic euphemism for sex. But his book about a Moscow political wife’s passion for a soldier – in which the speed of trains is a metaphor for the dangers and consequences of sexual passion – has consistently attracted film-makers. David Selznick cast Garbo in 1935, while Alexander Korda chose Vivien Leigh for the role in 1947. More recently, the writer-director Bernard Rose made a movie version with Sophie Marceau. Now Helen McCrory stars in a new four-part TV adaptation of Anna Karenina (Tuesday, 9pm, Channel 4).
Penelope Fitzgerald – a fine novelist who died last week – once expressed the hope that television would soon run out of great novels to adapt, and return literature to readers. But, although there are the inevitable losses – authorial tone and psychological complexity – Anna Karenina is, at the basic but crucial level of plot, the perfect book for TV.
