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In Memoriam: Helen McCrory

A tribute to Helen McCrory and her extensive filmography

by Carly Horne | April 17, 2021 | The Courier

Following the announcement of Helen McCrory’s death on Twitter by husband Damian Lewis, comes the reflection of a life and career so full of exuberance and love. Although hers was a life cut far too short, it was also one marked by displays of endless generosity and incomprehensible levels talent which will surely be missed by all.

My first exposure to Helen McCrory came with the release of Skyfall in 2012. Something about her portrayal of Clair Dowar MP, a minor role relative to the scale of the film, just mesmerised me.

As Narcissa Malfoy in the Harry Potter films, she shone. The mother of school bully, Draco Malfoy (Tom Felton) and wife to notorious Death Eater, Lucius Malfoy (Jason Isaacs) – Narcissa could easily have been a two-dimensional character. A ‘bad’ character. It’s hard to get away from the fact Narcissa Malfoy was a prejudicial pure-blood, but Helen McCrory brought so much humility and poise to what might have otherwise been an insignificant role.

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Categories Medea Print Media The Deep Blue Sea Tributes Uncle Vanya

How Helen McCrory Shone, Even in a Haze of Mystery

She Was Unforgettable Onstage Playing Seemingly Serene Women Who Rippled With Restlessness

by Ben Brantley | The New York Times | April 17, 2021

Helen McCrory in the National Theater revival of Terence Rattigan’s “The Deep Blue Sea.” Credit: Richard Hubert Smith

Selfishly, my first feelings on hearing that the uncanny British actress Helen McCrory had died at 52 were of personal betrayal. We were supposed to have shared a long and fruitful future together, she and I. There’d be me on one side of the footlights and her on the other, as she unpacked the secrets of the human heart with a grace and ruthlessness shared by only a few theater performers in each generation.

I never met her, but I knew her — or rather I knew the women she embodied with an intimacy that sometimes seemed like a cruel violation of privacy. When London’s theaters reawakened from their pandemic lockdown, she was supposed to be waiting for me with yet another complete embodiment of a self-surprising life.

Ms. McCrory had become world famous for dark and exotic roles onscreen, as the fiercely patrician witch Narcissa Malfoy in the Harry Potter movies and the terrifying criminal matriarch Polly Gray in the BBC series “Peaky Blinders.” But for me, she was, above all, a bright creature of the stage and in herself a reason to make a theater trip to London.

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Categories Medea Old Times Peaky Blinders Print Media The Deep Blue Sea Tributes Uncle Vanya

Helen McCrory would have been the next Helen Mirren or Judi Dench

The actress leaves an extraordinary body of work, but there is no doubt that she had so much more to give

The wonder for me about Helen McCrory – whose passing, at 52, is so cruel, so sad, such a profound and premature loss to the acting profession – is how relatively long it took for people to cotton on to her magnificence.

I was lucky enough to visit the Tricycle, north London one winter evening in 1995 and see her star as Lady M in Macbeth. In fact, of course, she wasn’t then the “draw” – here was, surprisingly enough, a Shakespeare production at a major off-West End venue renowned for its contemporary political work. It was an oddity from artistic director Nicolas Kent. Yet within the space of a couple of hours, I emerged with her name on my lips, and the surest conviction that I had set eyes on one of the greats.

Here was an actress who was so intense, so spellbinding, so caught up in every moment of every scene she was in that it was as though she carried a lifetime’s acting experience within her: but she was just in her mid-20s. Her flintiness illuminated every line it sparked off.  Rapt, I ended my review of that dark, sinister torch-lit night, referencing the sleepwalking scene, saying that “it is the sight of McCrory alone, scurrying restlessly round in the dark and hugging a single flame, that burns a lasting image of unstoppable evil onto your retina.”

Categories Print Media Theatre Tributes Uncle Vanya

Truly, we have lost a luminous talent in Helen McCrory

Helen was nothing if not a giver of care but, of course, she excelled as an actress

In my mind’s eye, I see her making a slow entrance on to the Donmar Warehouse stage as Yelena in Chekhov’s Uncle Vanya.

No wonder Simon Russell Beale’s Vanya has his tongue hanging out; Helen McCrory utterly commanded the stage in that moment. Wide-brimmed hat, long brocaded gown, she echoed a sense of Greta Garbo with the glamour of Marlene Dietrich.

This was one of artistic director Sam Mendes’s farewells at the Donmar in London, before he went on to direct two Bond movies. I chatted about it later with Helen and she explained: ‘Darling, that was Sam’s doing. I chose the hat and he choreographed the walk.’

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Evening Standard and TikTok join forces for £120k fund to support theatre talent of the future

Helen McCrory is among the panelists for the Future Theatre Fund

by Robert Dex | November 26, 2020 | The Evening Standard

 The Evening Standard has joined forces with TikTok to launch a £120,000 fund to support the next generation of theatre stars, who are struggling under the impact of Covid-19.

High-profile figures including award-winning actress Helen McCrory, theatre supremo Andrew Lloyd Webber and Young Vic boss Kwame Kwei-Armah have joined the panel to help decide who receives the 12 grants, each of £10,000.

McCrory said: “It’s fantastic that these funds have been set aside to help the next generation of actors, directors and artists waiting to get on the ladder. These are the young people without support just leaving college or just starting out, who are treading water until theatres, studios and galleries reopen. These prizes of £10,000 each will be an absolute lifeline. Good luck to all the entries.”

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