Categories Flying Blind Print Media Reviews

Flying Blind – Film Review

The micro-budget thriller follows a politically charged affair between a British woman and an Algerian student

Flying Blind Still - H 2013

A love story colored by the paranoid political climate of the War on Terror, this micro-budget British thriller was shot by first-time feature director Katarzyna Klimkiewicz for around $500,000. Helen McCrory, of Skyfall and Harry Potter fame, leads a mostly unknown cast in a noir-ish suspense yarn with potential appeal to Homeland fans. Opening in British theaters this week, this BBC-backed co-production has a small-screen feel. In overseas markets, TV seems the most likely launch platform, though a beefed-up Hollywood remake is not out of the question.

McCrory plays Frankie, a forty-something college lecturer and high-flying aeronautics expert based in the southwestern English city of Bristol. In the middle of designing the next generation of military drone aircraft, she meets handsome young French-Algerian student Kahil (Najib Oudghiri). Though he is half her age, there is clear sexual chemistry between them. Crossing barriers of age, class, race and culture, their initially hesitant attraction soon blossoms into a highly charged affair, with a frisson of S&M and plenty of spontaneous rough sex in rain-slicked public alleyways.

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Categories Leaving Print Media Reviews

Leaving on ITV – Review

Screenwriter Tony Marchant explores frustrated lives and lost opportunities

Ill-fated infatuation for Julie (Helen McCrory) and Aaron (Callum Turner)

The uproarious success of Downton Abbey, now firmly established as one of Britain’s great national pastimes, seems to have had the happy effect of persuading ITV1 that it must make more drama. Thus, the autumn of 2012 has been ushered in by new ITV dramas swirling about our ears like tumbling leaves, from The Last Weekend and The Scapegoat to the comeback of Downton itself.

The uproarious success of Downton Abbey, now firmly established as one of Britain’s great national pastimes, seems to have had the happy effect of persuading ITV1 that it must make more drama. Thus, the autumn of 2012 has been ushered in by new ITV dramas swirling about our ears like tumbling leaves, from The Last Weekend and The Scapegoat to the comeback of Downton itself.

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Categories Last of the Haussmans Reviews

Review: The Last of the Haussmans

Hippy Dippy

By Michael Billington | June 20, 2012 | The Guardian

Plays about the legacy of the 1960s are becoming increasingly common. After Mike Bartlett’s Love, Love, Love and Alexi Kaye Campbell’s Apologia, we now have this debut from Stephen Beresford. As an actor himself, he knows how to write whacking good parts and has all the benefits of a meticulous National production, but he rarely makes you feel the family he portrays can provide a metaphor for a generation.

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Categories Print Media Reviews We'll Take Manhattan

We’ll Take Manhattan on BBC Four – Review

A Drama about David Bailey’s romance with Jean Shrimpton

by Tom Sutcliffe | January 27, 2012 | The Independent

Sutcliffe’s Third Law of Dodgy Dialogue runs as follows: “If an East End character employs both elements of a bit of rhyming slang then they are probably a Cockernee – television’s caricature of an East Ender – rather than the real thing.” Example: a young jack-the-lad photographer asks his assistant: “What happened to that bird from Pinner with the big Eartha Kitts?” If he’d said this at all, surely he would have said “big Earthas”, and left it at that. But, since the audience can’t be trusted to work it out, or, possibly, to know that Kitt follows Eartha, it had to be clumsily signposted in We’ll Take Manhattan, John McKay’s drama about David Bailey’s romance with Jean Shrimpton. Bailey spent quite a bit of time being a Cockernee in this film because one of its themes was the clash between the brash young upstarts who would make the Sixties swing and the old guard who thought it was vulgar for it to move at all.

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Categories Print Media Reviews We'll Take Manhattan

We’ll Take Manhattan on BBC Four – Review

 The relationship between photographer David Bailey and model Jean Shrimpton

We’ll Take Manhattan: Karen Gillan and Aneurin Barnard CREDIT: Photo: BBC

“You utter beast,” panted Lady Lavinia, her couture skirts hoicked northwards in a most unladylike fashion.

“Go on. You love it,” drawled the tradesman’s-bejacketed David Bailey towards the nape of her pearl-encircled neck as he ravished her.

Roll over, Sherlock. For it was at this precise moment that the blink-and-you’d’ve-missed-it clue purporting to crack the conundrum at the heart of We’ll Take Manhattan (BBC Four) – a stylish, pleasingly frothy drama about the fashion photographer David Bailey and his first, defining muse Jean Shrimpton – was revealed.

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