Categories Damian Lewis Five Gold Rings Print Media Reviews

Five Gold Rings at the Almeida – Review

Joanna Laurens’ “Five Gold Rings” has loftier things in mind than the mere settling of domestic scores

by Matt Wolf | January 4, 2004 | Variety

Not every dysfunctional family drama contains lines like, “It is art to fly speech in the air,” but Joanna Laurens’ Almeida Theater entry “Five Gold Rings” has loftier things in mind than the mere settling of domestic scores. In her sophomore play following her much-praised debut effort “The Three Birds” (which I missed), Laurens wants to reinvent the discourse in such plays, trading in a time-worn naturalism for a heightened language that less charitably inclined playgoers likely will find wearing.

That the evening possesses the considerable fascination it does honors both director Michael Attenborough, in his second consecutive play at this address as Almeida a.d. (following Neil LaBute’s “The Mercy Seat”), and a blue-chip cast of British theater veterans (David Calder) and ascending younger talents (Damian Lewis, Helen McCrory), all of whom are in top form. Sure, “Five Gold Rings” may sound at times as if it has been translated from Latin, but it’s unlikely to encounter more gifted interpreters.

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Categories Damian Lewis Five Gold Rings Print Media Reviews

Five Gold Rings at the Almeida – Review

Five Gold Rings

by Michael Billington | December 19, 2003 | The Guardian

I feel sorry for Joanna Laurens. Having been praised for the poetic inventiveness of her first play, The Three Birds, I suspect she will take a lot of flak for writing a non-naturalistic family drama. Yet, since we sanction all kinds of wild physical theatre, it seems only right that we should find room for linguistic experiment.

Laurens’s play sounds like a conventionally unhappy family reunion. Henry, a penniless patriarch living in a mysterious desert, is attended at Christmas by his two sons and their wives. But both marriages are in trouble; and when the supposedly impotent Daniel is attracted to his childless sister-in-law, Miranda, the skeletons come tumbling out of the family cupboard. Daniel’s plan to flee with Miranda is unwittingly financed by his brother, Simon, which leads to revelations of revenge, rape and incest.

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Categories Charles II aka The Last King: The Power and Passion of Charles II Print Media

Charles II: The Power & the Passion Review

Sexual Politics and Gorgeous Costumes

by Charity Bishop | Charity’s Place | November 16, 2003

This film is more about sexual politics than anything else. The costuming is gorgeous, but the script falls short. It fails to set up conclusive history for the characters, so anyone unfamiliar with Charles II won’t be able to follow it.

In the 1600s, Parliament overthrows and beheads the king. His son Charles (Rufus Sewell) and those loyal to the crown, including his mother (Diana Rigg) and best friend George Villiers (Rupert Graves) have fled to France, where they remain in exile, plotting their return to power. Through various political maneuverings George returns to England. The government imprisons him. Not long thereafter, the government invites Charles to return to claim the throne, since the common people are rebelling in the lack of a monarchy. Parliament fears losing control and thus will accept the lesser of two evils.

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Categories Lucky Jim Print Media Reviews

Masterpiece Theatre cracks a smile with the charming “Lucky Jim”

Get “Lucky”

by Don Dale | January 1, 2003 | Style Weekly

PBS-TV’s next “Masterpiece Theatre” broadcast, “Lucky Jim,” is a winsomely charming comedy, likeable for a number of solid reasons. Chief among them is the story, based on a book by Kingsley Amis; the two main characters, played by Stephen Tompkinson and Keeley Hawes; and the nostalgic 1950s soundtrack.

Amis created quite a stir in British literary circles when “Lucky Jim” was published in 1954. First called an angry young man, Amis quickly established himself instead as a master of satire, malcontented rather than irate. His target was the intellectual milieu and those who wallowed in it, and the eponymous hero of “Lucky Jim” was something new: a working-class man, well-educated but unapologetically middlebrow.

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Categories Media Print Media Reviews Twelfth Night

Twelfth Night at the Donmar Warehouse – Review

Harrowing hilarity

By Paul Taylor | October 28, 2002 | The Independent

He looks as though his copious blubber has been constrained from birth in a wing collar and buttoned-up pinstripe suit and that he must have emerged from the womb with that self-important beard and punctilious moustache. His gait is an effeminately officious cross between a march and a scamper; his tone is a prissily sibilant sneer; and he is forever consulting his watch with righteous impatience. At night, his locks are lovingly protected by a lady’s hairnet.

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