Helen McCrory: “What I love about travel is the freedom. Anything that gets in the way of that is missing the point”

How much have you enjoyed creating season two?
Polly’s story this year is much, much more interesting. I don’t know if Steven [Knight, writer] made a conscious effort or it’s just what he found the most interesting from the last series, but the women’s parts on the whole [are more interesting]. I think you have to establish that the world of the Shelbys is a man’s world, but once you’ve got that up and running, then you can start to look at the women’s world, which were much more delineated than they are now, so they are completely different characters and completely different sets and settings. I’ve had a fantastic time this year, he’s written me one of my best parts I’ve ever played.
It even passes the Bechdel test. Does it offer a more interesting perspective of women in period dramas?
If you actually look at the working class, the working class women ran the homes, those women worked hard, they were the heartbeat of the society, knowing where the kids are, running it all, making sure that the drunk man in the pub was picked up by somebody else’s husband and brought home, and knowing what’s happening on the streets, because you have to, because no one else is helping you. So yes, just by setting it in working-class Britain, which was 95% of the rest of the country, yeah it does.
Continue reading Helen McCrory: “How dare you sit on your arse and not support other women?!”
HeyUGuys | YouTube | October 2, 2014
by Craig McLean | October 2, 2014 | The Evening Standard
She’s also the leading lady of the BBC’s Peaky Blinders, the second series of which started last night. The super-stylised gangster drama — violence straight out of Al Capone’s Chicago, fashions and haircuts out of hipster Dalston — is ‘tongue-in-cheek’, as McCrory puts it. But where the first series, quoting creator and writer Steven Knight, was all about opium, this season’s drug is cocaine. ‘One is a sedative, woozy, decadent… Whereas coke is a skanky, speedy, nasty, sweaty, anxious drug that makes everyone think they’re really interesting,’ she says with a sardonic smile. The reason for this narcotic change of pace is, naturally, London. Tommy Shelby (Cillian Murphy) wants to expand the Peaky Blinders’ illegal gambling operation from the Midlands to the capital. ‘This year we see the fragility of all the characters. The cracks are beginning to show as they get out of their comfort zone; as they come down to London.’ The cracks are showing for McCrory’s Aunt Polly, too: in the opening episode we saw her character shifting from hard-as-nails matriarch of the Birmingham razor gang led by Shelby to hard-as-nails matriarch unmoored by the loss of her children.
by Scarlett Kilcooley-O’Halloran | September 30, 2014 | British Vogue
ACTRESS Helen McCrory is well-versed in the virtues of the wardrobe department. With an award-winning career that has spanned over 20 years, she has played Shakespearian queens, ancient Greek protagonists, and a Harry Potter witch to name but a few mesmerising roles, but it is her latest role that is capturing her sartorial imagination right now.
Returning as the strong-willed Aunt Polly in the BBC period drama Peaky Blinders (the story of a family of gangsters running the Birmingham underground scene) for a second series, McCrory has – not for the first time – found her outfits central to how she has been able to develop her character.
The great advantage of wearing Dior or Marchesa is that it’s all been taken care of by people that know more about clothes than you do