Categories In a Little World of Our Own Interviews Print Media Stand and Deliver

Theatre: In a World of Whose Own?

She is an actress with a chameleon-like ability to swap accents, he is a writer whose work is anchored in his native Belfast. Together, they are on stage at the Donmar

by Jasper Rees | March 3, 1998 |  The Independent

ACTORS fall into two broad categories: those who play themselves and those who play other people. One type gets recognised in the street rather more than the other. Last year, while Lynda La Plante’s Trial and Retribution was being screened, Helen McCrory found herself dragged into a pub debate about the moral issues thrown up by the series. “I assumed arrogantly that this conversation had been sparked off by the fact that they knew who I was. They asked me my opinion and I realised after about 10 minutes they had no idea.”

You can see why. McCrory is currently at the Donmar in In a Little World of Our Own, a new play by Gary Mitchell in which she puts on an Ulster accent to play a born-again Christian in the heart of Protestant Belfast. In Stand and Deliver, a BBC film by Les Blair, she plays a feckless English photographer in Glasgow. In The James Gang, a road movie directed by Mike Barker, she’s a Scot who fetches up in Wales. The Donmar play opens the theatre’s annual “Four Corners” season: it sounds as if McCrory could play all four corners herself.

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Categories The Fragile Heart Video

Video: The Fragile Heart

Official Trailer and Episodes 1-3

by Helenistic | You Tube / Wikipedia | November 6, 1996

The Fragile Heart is a BAFTA award-winning British medical drama television series created by Paula Milne and first aired on Channel 4 from 6 to 20 November 1996. The series was nominated for the Royal Television Society award for Best Drama Serial.

Helen McCrory received a nomination for Actress of the Year by London’s Film Critics Circle with her role in The Fragile Heart.

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Categories Les Enfants Du Paradis

Les Enfants Du Paradis at the Barbican – Review

McCrory is throatily confident as Garance

by Matt Wolf | February 11, 1996 | Variety

Marcel Carne’s great 1945 film “Les Enfants du Paradis” is a hymn to actors, to the luxuriant power of art, and to France itself, whose spirit — the film was made during the German Occupation — remains as unvanquished as that of the simultaneously pervasive and elusive Garance, the courtesan who best embodies it. Simon Callow’s stage adaptation for the Royal Shakespeare Company is about a revolve, and a creaky one at that. Ten minutes in, and your heart sinks. Four hours later, you revolve out of the theater, dizzy and happy to get some air.

Robin Don’s calamitous turntable design is perhaps the most obvious failing of an enterprise that seems noble and foolish in equal measure. Callow is by no means the first to see in Jacques Prevert’s script the possibility of a stage epic, and what better troupe to attempt such a task than the RSC, which proved undaunted by heftier sources; Dickens and Hugo? In our time of abased emotion, why not restore to the theater the heightened sentiment that “Les Enfants” celebrates, folded into a narrative often compared to “Gone With the Wind”?

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Categories Macbeth Print Media Reviews

Macbeth at Tricycle Theatre – Review

A Round Up of Reviews

by BBAShakespeare.co.uk | 1995

PRINCIPAL CAST: Tom Chadbon (Duncan); Ewen Cummins (Banquo); Lennie James (Macbeth); John Keegan (Macduff); Helen McCrory (Lady Macbeth).

This production ran from 20 October – 18 November 1995.

“Nicholas Kent’s production of a play that could hardly be better suited to the Tricycle’s intimate auditorium is pacy and racy but patchily acted….Christine Marfleet’s set of curved, beaten metal panels that gleam in the firelight suggest both the distant path but also some future state, and a canny use of percussion adds to the atmosphere….But too many of the actors are ill at ease with the verse. Not so Helen McCrory’s Lady Macbeth, whose performance is in a different league to the rest – passionate, focused and artfully spoken. A great classical career beckons.”  ~ Lyn Gardner, The Guardian, 1 November 1995

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Categories Streetlife Video

VIDEO: Streetlife 1995

Helen’s first big film role

by Karl Francis | Vimeo | September 15, 1995

Bob Flynn, writing for the Irish Times about the 49th Edinburgh Film Festival in 1995, thought Streetlife was the discovery of the festival fortnight, and marked “the triumphant renaissance” of Francis as a “devastating writer and director.” The film received a special runner-up from the Michael Powell Jury.

It also won the Silver Nymph Award at the 1995 Monte Carlo TV Festival, and two BAFTA Cymru Awards in 1997. One for best director and the other for Helen McCrory for Best Actress.