Categories Reviews Rosmersholm

Rosmersholm at the Almeida – Review

Spellbinding Performances

by Michael Billington | May 23, 2008 | The Guardian

The Ibsen boom continues. And it is a measure of our theatre’s confidence in dealing with the old Norwegian ironist that even a dark, difficult late play like this can be bathed, both in Anthony Page’s production and Mike Poulton’s new translation, in such physical and psychological light.

More than most of Ibsen’s plays, this one is about the weight of the past. Rosmer, a former pastor, is oppressed by a whole series of factors: his conservative ancestry, guilt over his wife’s suicide and loss of religious faith. But, aided by his companion, Rebecca West, he believes he can set out on a new path of missionary idealism. This, however, turns out to be a fond dream as he alienates his allies, becomes a subject of scandal, and as Rebecca turns out to be haunted by incestuous demons.

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Categories Damian Lewis Flashbacks of a Fool Interviews Personal and Family Life Print Media Rosmersholm

Helen McCrory: The Importance of Being Sex

Helen McCrory likes to speak her mind. A lot.

by Maureen Patton | April 12, 2008 | Daily Mail

Helen McCrory

Hold on to your hats as the natural heir to Judi Dench and Maggie Smith spells out exactly why she won’t do stage and screen nudity.

“I don’t want to sign for a job that I have to have a bikini wax for,” says Helen, who persuaded the director of BBC’s 2003 drama series Charles II to ditch the full-frontals before she would agree to play the sexually voracious Countess of Castlemaine.

For as she puts it, “sex is all in the brain”.

Life’s not all froth for award-winning actress Helen McCrory. Married to handsome actor Damian Lewis, she appears to have it all…

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Categories Flashbacks of a Fool Harry Potter and the Half-Blood Prince Interviews

Helen McCrory: The Dame Game

She’s a West End star who’s about to join her husband in Hollywood. No wonder critics call Helen McCrory the next Judi Dench, says Hannah Duguid

Despite being one of Britain’s foremost actresses, Helen McCrory is rarely recognised in public. Recently, a taxi driver refused to believe who she was. “You’re not Helen McCrory,” he said. She was unable to convince him of the truth. I can see how he made the mistake. In the flesh, despite having given birth only a few weeks before, she is slight, pretty and, although a formidable presence, does not remotely resemble Cherie Blair, whom she portrayed so convincingly in Stephen Frears’s film The Queen. “I’ve often sat down with people talking about a film I’ve been in and they haven’t realised I was in it. I think they’re just being weird by not saying anything until I realise what has happened,” she says. Not that she is phased by any of this: “What really matters to me is what my peers think.”

Her marriage to the actor Damian Lewis the couple have two children has occasionally propelled her on to the pages of magazines. But McCrory and Lewis seem as well grounded as it is possible to be when you’re one half of a famous couple who divide their time between north London and Los Angeles. There are flourishes of luvviness “darlings” and enthusiastic swearing with a cut-glass accent yet they are clearly devoted to each other. He accompanies her to our meeting at a Soho restaurant and settles her and their tiny baby son into a corner table before politely disappearing.

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Categories Frankenstein Interviews Print Media

Mothering a Mutant

Helen McCrory as Dr Frankenstein

As ITV1’s Frankenstein breathes new life into a classic story, writer Jed Mercurio and star Helen McCrory tell Serena Davies why it’s a tale for our times

Now that stem cell research is sufficiently advanced that scientists can fabricate heart muscle tissue, the creation of an entire heart, and even an entire creature, no longer sounds like science fiction. Which makes this the perfect time to update the story of Frankenstein: the tale, written in 1818 by a 19-year-old woman novelist, in which a scientist does just that.

Enter Frankenstein, a new feature-length drama written and directed by Jed Mercurio, the former doctor who made his name with the gritty hospital dramas Bodies and Cardiac Arrest.

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